You
may have noticed that Vincent's name is among the cast of "At
Eternity's Gate", the film about tormented painter Vincent van
Gogh during his final years in Arles, France. Vincent's role is so
minor that he appears on screen for less than one minute. To the
left is a screen capture from one of his scenes. Why does a major
French movie star accept such a role! It's a mystery. I saw the film
last night and thought that Willem Dafoe in the role of van Gogh was
one of his very best characterizations and certainly worthy of an
Oscar nomination. I have been a great admirer of Willem's for over
30 years and have seen over 25 of his films. This is not an easy
film to recommend because the director's artsy bent [such as actors
delivering their lines while staring into the camera] can be
overbearing at times but do see it simply for Willem's powerful and
beautiful performance! I got a kick out of seeing my favorite Danish
actor, Mads Mikkelsen, in the role of a priest when he's played so
many bad guys. Actually he has played a priest once before in the
black comedy, "Adam's Apples", but this time it was a serious role
and he was wonderful, as usual.

So many members of Vincent's
family are multi-talented. His stepdaughter Roxane
(Depardieu) recently had an exposition of her art work at the Maison
Bronzini in Villeneuve-lès-Avignon. Having studied at the California
Institute of the Arts in Los Angeles, she is now an illustrator,
designer, painter and sculptor. Her African roots permeate her work
with images of animals and imaginary characters.


Here are some recent photos of
Vincent's oldest daughter Iman, looking as beautiful as ever, at the
Evian x Virgil Abloh launch party during Paris Fashion Week last
month.
The
3rd edition of the Vincennes Images Festival (VIF) will be
held May 24-26 with Vincent among its jury members. The contest is
dedicated to amateur photography and photography lovers and Vincent
has been invited as a photographer and accomplished portrait artist.
He said, "I accepted the invitation to meet people and share
this passion that we have in common. It's
rewarding to have a reflection on photography today, on trends, but
also to discover the work of photographers."
Here are some comments Vincent
made regarding his photography work:
"It is always rewarding to
watch the work of amateur photographers, of which I am a part. I
might take the opportunity to show a more recent personal work. I am
curious to see how people might react."
"We are watered with images,
which provokes a kind of trivialization. I have an Instagram
account, on which I post some photos. But I pay attention to this
addiction to digital. I ask myself a lot of questions about that. I
try to go back to the fundamentals of photography. Take a photo and
not thirty-six thousand during a session. To feel this moment, this
latent anxiety, of what is created in the image. The work around the
old-fashioned printing is of crucial importance to me."
"I have a great passion for
Irving Penn's work. This should be blatant on my next series of
photos, where I wanted to find these sensations of natural light. I
tried to reform a kind of workshop in which I bring characters, a
little particular. I like when photography questions. When it
jostles sometimes. When there is a unique moment that is created.
Unlike my latest works, these are works conducted 'in partnership'
with my subjects. We build something together around an exchange,
while my photographs of Russia were the result of meetings during a
trip."
"There is this quote from
American photographer Diane Arbus that I like a lot that said: 'What
I like is to go where I have never been.' What I need is that. It's
to go where I have not gone yet. If not? Otherwise, it does not make
sense anymore."

On Thursday Vincent launched
the second edition of the Rencontres 7e art Lausanne,
a Swiss festival dedicated to heritage
films. Wife Karine and daughter Iman attended as well. Here are some
photos from the March 7-10 event. You can view more at this
gallery page.
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